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Want to reach out to me?

Rosemary Richings with a Not Every Disability Is Visible or Looks The Same Everyday sweater on. Here is a brief intro to her background in working on digital resources herself.

I run a one-person business as a disabled professional, so I take on a limited number of commissioned projects at any given time. This means I prioritise paid, relevant enquiries and don’t respond to unsolicited or undefined requests.

I also don’t respond to unsolicited pitches, promotional outreach, or requests to collaborate without a defined brief.

If your enquiry is time-sensitive, please include your deadline so I can let you know if I’m able to accommodate it. Otherwise, please allow a few working days for a response.

Please note: I’m not hiring or building a team. I take on commissioned, scoped work only.

Working with me

I take on paid writing, editing, and speaking projects focused on neurodiversity, disability, and communication.

To keep the work sustainable and clear on both sides, I only respond to enquiries that include some initial context about the project: what it is, who it’s for, and where it sits in your overall work process.

I’m not the right fit for speculative requests, open-ended “ideas chats”, or unpaid exploratory work without a defined brief.

If you’re unsure whether something fits, a short outline of what you’re working on is enough to start the conversation.

FAQs people have before they contact me.

Read this section first before reaching out. Perhaps your question for me might even be in the list below!

Common questions after reading my books, viewing my content, and checking out my bylined articles:

Can I quote a passage from your books in something I am publishing for academic or commercial purposes?

Copyright rules vary depending on where and how you intend to use the material. In the UK, some uses may fall under fair dealing, while US law has a separate fair use doctrine. These exceptions are context-dependent and do not automatically allow copyrighted material to be reproduced without permission. To understand this concept a bit better, here are some resources worth checking out:

If your proposed use requires permission, please obtain it through the appropriate rights holder or permissions service before reproducing the material. This helps ensure that copyrighted work is used legally and that authors and other rights holders receive any payments to which they are entitled. Where applicable, these payments contribute to the income I receive as the author.

For Studying With Dyspraxia, reach out to Bloomsbury’s permissions department‘s rights and permissions department. For Stumbling Through Space and Time, submit your copyright request via PLS Clear. Then, search for this exact title directly on PLS.

I want to cite a passage from an article you wrote in a project I am working on: Is there anything I need to do?

It depends on how much you want to reproduce, how you intend to use it, and where the work will be published. Copyright exceptions such as fair dealing in the UK and fair use in the US are context-dependent, so don’t assume that quoting an article is automatically permitted.

If you are unsure whether your proposed use is covered by an exception, contact the publication or rights holder before reproducing the material. Tell them which article you want to quote, which passage you want to use, how much of it you intend to reproduce, and where it will be published. They can advise you on whether permission is required and how to obtain it.

Just read something you wrote: could you add a link to my product or service to your article?

No. I do not include promotional links to external products or services in my work. Editors also generally do not approve such requests.

I want to translate or adapt one of your books. Who should I contact?

I’m very open to adaptations and translations into other languages. Since I don’t control the rights, please contact the publisher directly. I don’t control translation, audiobook, Braille, large-print, accessible digital or other publishing rights for my books. So I’m not able to arrange these requests myself.

For Studying With Dyspraxia, published by Bloomsbury, please contact Bloomsbury’s Rights team about translation, audio and other publishing rights.

For Stumbling Through Space and Time: Living Life With Dyspraxia, published by Jessica Kingsley Publishers, please contact JKP’s Rights team about translation, audio and other publishing rights. For accessible-format requests, please see JKP’s accessibility information.

When contacting a publisher, please include the book title, the language or format you’re interested in, your location and a brief description of what you’d like to do.

Can I contact you about adapting one of your books for film or television?

Yes, but please read this first.

Film and television adaptation rights are separate from book publishing rights, and I may not personally control these rights.

If you are a producer, production company, filmmaker, broadcaster, streaming service or other professional interested in adapting one of my books, please identify yourself and your production or company clearly in your initial enquiry.

For Studying With Dyspraxia, please contact Bloomsbury’s Rights department directly about film, television or other adaptation rights via the following email: rights@bloomsbury.com.

For Stumbling Through Space and Time: Living Life With Dyspraxia, please contact Jessica Kingsley Publishers through Hachette UK’s Rights department via the following link: https://www.johnmurraypress.co.uk/landing-page/hachette/permissions-rights

Please include:

  • Your full name and role
  • The company or production you represent
  • The book you are interested in
  • The proposed format, such as film, television or documentary
  • A brief description of the proposed project
  • Your website or other professional contact details
  • Any relevant production credits or background

Please do not send a screenplay, treatment or other substantial adaptation material unless it has been specifically requested.

I am happy to hear from genuine professional enquiries, but the publisher is the appropriate first point of contact for determining whether adaptation rights are available and who controls them.

I do not pay companies or individuals to pitch, market or “shop” my books to film or television producers.

Why does copyright matter to you as an author?

In the UK, the Authors’ Licensing and Collecting Society (ALCS) collects certain payments relating to the copyright use of my work and pays me royalties. In Canada, the Public Lending Right (PLR) Program provides payments to eligible authors whose books are held in Canadian public libraries. These payments form part of my income as an author.

Can I ask you to endorse my book, product, or service?

I don’t provide reviews or endorsements of products or services. I may provide book endorsements on a case-by-case basis for authors whose work I know and genuinely want to support. This may include reviewing an advance reader copy for consideration as a book endorsement, or occasionally contributing a foreword. I don’t do book reviews.

Do you accept guest blog posts or contribute articles for exposure?

I generally don’t accept unpaid guest blog posts or articles written in exchange for exposure, backlinks or promotion. I prioritise paid professional writing and already create unpaid content for my own platforms and the organisations I volunteer with.

If you’re interested in commissioning me to write for your publication or platform, please get in touch with details of the project, intended audience and budget.

Can my book club or reading group contact you?

Absolutely.

If your book club, reading group, university group, library or community organisation is reading one of my books, I’d be happy to hear from you.

If you’d like to invite me to take part in a discussion, Q&A or virtual book-club event, please include:

  • The name of your group or organisation
  • Which book you’re reading
  • The date or approximate timing
  • Whether you’re looking for a live discussion, Q&A, recorded contribution or written response
  • How many people are likely to attend
  • Whether the event is online or in person

Please give me as much notice as possible for live events.

If you’re simply writing to let me know that you’re reading the book or that it has been useful to your group, you’re very welcome to do that too. You don’t need a formal invitation or proposal.

For commissioned work:

Can I ask you to contribute to an article, report, or other project?

Yes. I’m available for commissioned writing, expert contributions, interviews and consulting on projects relating to disability and neurodiversity. Please contact me with details of your project, intended audience and requirements.

For media:

Are you available for media interviews, e.g., TV, radio, podcasts, being interviewed for an article, etc.?

Yes. I’m available for interviews on disability, neurodiversity, dyspraxia, accessibility and related topics. This can include articles, podcasts, radio, video and other media formats. Please contact me with details of the publication or programme, topic and deadline. I highly recommend checking out my press page if you haven’t already which goes into detail with all essential info you will likely need for what you’re working on.

For educators and students

I am a student. Can I contact you about a school or university project?

If you’re a student using my books or other work for a school, college or university project, you’re welcome to get in touch. Please include some information about your project and what you’d like to ask.

I receive a lot of requests, so I can’t guarantee that I’ll be able to participate in an interview or answer every question. You can also use my published books, articles, interviews and other publicly available work as sources for your research.

Do you do school or university events/ visits? Would you be open to talking to my students?

I occasionally speak to students and educational audiences about dyspraxia, neurodiversity and my experiences as an author. Both virtual and in-person are options, given that I have an international audience. Visits, talks and Q&As are professional speaking engagements, so I expect payment for my preparation, travel expenses, and time. If you’re interested in arranging a session, please get in touch with details of your audience, proposed format and event.

I am a researcher at an academic institution. Can I involve you in my latest research project?

I am open to contributing to research relating to dyspraxia, neurodiversity, disability and accessibility. If you are a researcher or academic interested in involving me in a study, interview, consultation or other research activity, please get in touch with details of the research, your organisation or institution, what participation would involve, and any relevant dates or deadlines.

I expect research participation and specialist input to be paid or accompanied by an appropriate honorarium. I may occasionally choose to participate voluntarily at my own discretion.

For librarians and booksellers

Can you take part in book/ author events?

Yes. I am interested in taking part in book readings, author Q&As, discussions, panels and other events relating to my books and areas of expertise. I welcome invitations from bookshops, libraries, universities, and relevant organisations. Both virtual and in-person are options for me, especially since I tend to have such an international reach and many of my readers are disabled people who may experience substantial barriers around travel.

Keep in mind that I generally expect an honorarium or other payment for author events, particularly where preparation, travel or substantial time is involved. However, I may consider unpaid events on a case-by-case basis where the audience and opportunity are a particularly good fit.

For families of neurodivergent people & neurodivergent individuals

Can I contact you for advice about my own situation?

I’m not available to provide ongoing personal advice or one-to-one support. My books and other published work share information based on my lived experience and research, but I can’t provide individual advice through this website.

If you’re looking for further information or support, I’ve put together a list of dyspraxia resources that may be useful: https://docs.google.com/document/d/10hmwLx0_XLvmx9AqsKtfNIRbT0XqAekXmwVROl6KaV4/edit?tab=t.0#heading=h.c8vhs7kzmz8m

Working together

What kinds of organisations do you work with?

I work with organisations and professionals who need specialist expertise in disability and neurodiversity. My clients and collaborators have included:

  • Employers and HR professionals
  • DEI and accessibility professionals
  • Publishers and editors
  • Content marketers and communications teams
  • Organisations developing neurodiversity resources for their staff and customers.

Previous clients include Yellowpages, eBay, Saatva Mattress Company, Uptimize and Lexxic. I work with a mixture of Canadian, UK, American and international clients.

Can you work as part of a team?

Yes. I can work independently or as part of an existing team, collaborating with internal staff, communications teams, learning and development teams, agencies and other specialists. This can be particularly useful when you need specialist neurodiversity or disability expertise for a project without needing to hire someone permanently.

How long will each project take?

For writing, I typically work through 2–3 drafts before sending a version for your review. Timelines are usually 1–2 weeks from assignment, though I can accommodate shorter turnarounds if needed. Interviews or source availability may extend timelines; I’ll communicate any delays so we can plan together.
For editing, the time depends on document length and the level of work required.


For speaking, I need at least 2 weeks’ notice for preparation, and longer for in-person events to plan travel.

If I hire you for your writing work, is there anything I will need to do?

Yes—please provide clear background information, relevant materials and any key requirements at the start of the project so I can produce work that meets your goals. A draft is a complete version of the work for you to review, rather than each change or section being treated as a separate draft. I ask that feedback be limited to a maximum of two people and one round of revisions per draft. These boundaries help me manage multiple projects while keeping work moving efficiently and to the agreed timeline.

How does your approach to projects work?

I start by understanding what you’re trying to achieve, who the work is for and what you need from me. I’ll then agree on the scope, deliverables, timeline and fee with you before work begins. For writing and other content projects, I usually provide a complete draft for review before making an agreed round of revisions. For editing and consulting projects, the process varies depending on the scope and level of input required. I value clear communication and collaborative working, while keeping projects structured so that they stay on track. Clear briefs, consolidated feedback and agreed timelines help me manage projects efficiently and deliver work to a high standard.

For speaking engagements, I’ll arrange a call with you to discuss the event, audience, topic, format and anything else I need to know about the session. I’ll use this information to prepare the content and approach for your audience and event. I also allow time to practise and prepare thoroughly before the event.

My speaking page has more information about my approach to speaking engagements.

What happens after I contact you?

I’ll review your enquiry and get back to you within 1–2 business days where possible. Depending on my current workload and availability, it may take longer. If your project looks like a good fit, we can discuss your requirements, scope, timeline and budget before deciding on next steps.

I heard you’re disabled and neurodivergent. What can I do to accommodate you while working with you? And what if I also have reasonable adjustment/ access needs?

I’m openly neurodivergent and have access needs of my own. I’ve put together a detailed guide covering my access needs in different situations, including communication, meetings, events and working together. You can read the guide here: https://docs.google.com/document/d/1v6gb27e-xItPxgZt66UCJDYPNg7OK2c3p5UR1fJ4cTE/edit?tab=t.0#heading=h.59lftojvlz10.

If you have access needs that would make it easier for us to communicate or work together, please feel free to let me know when you contact me.

How much do your services cost?

I work primarily on a fixed-fee, project basis rather than charging hourly. Starting rates are:

  • Writing: ÂŁ220 / CAD 410 / USD 290 / €255 per page/article
  • Editing: ÂŁ300 / CAD 550 / USD 400 / €340 per page/article
  • Speaking: ÂŁ400 / CAD 750 / USD 530 / €470 per event/workshop

Final quotations are tailored to the scope, timeline, audience, and deliverables of each project.

Are you available for ongoing or project-based work?

Yes. I work on both individual projects and ongoing arrangements, depending on what an organisation needs. Individual projects might involve writing, editing, speaking or specialist consultation, while ongoing arrangements can combine several of these areas across content, communications, training or workplace initiatives.

I scope each project or ongoing arrangement separately based on your organisation’s requirements, priorities, timeline and expected level of support.

Do you do unpaid or speculative (on-spec) work?

I prioritise paid professional work and generally don’t undertake unpaid or speculative projects. My volunteer time is already committed to the charities, nonprofits and independent advocacy groups I am affiliated with, as well as YouTube and blog content I create for my own platforms and audience.

This boundary is necessary for me to balance my work as a disabled full-time author and consultant. It also helps me ensure I have the capacity to give paid client projects the attention they require.

Ready to contact me? Fill out the form below:

Are you not a form person? Feel free to email me at rosemary@rosemaryrichings.com.

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